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Ahmed Elhaggar Is About to Pay His Wedding Expenses with Split by EG Bank
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Ahmed Elhaggar Is About to Pay His Wedding Expenses with Split by EG Bank

By INSITE OOH
|
September 24, 2026 5 hours ago
3 minutes, 18 seconds
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“Feeha Qest, Feeha Split.” EG BANK gives its Split credit card a compact introduction through a slogan that connects installment payments directly to the product’s name. Fronted by Ahmed Elhaggar, the Cairo outdoor campaign pairs that verbal shortcut with a relaxed couple, a prominently displayed card, and a consistent navy identity. The creative makes a financial service approachable while keeping its central function easy to grasp.

Across East Cairo, West Cairo, and Downtown, uni-poles and roadside signs repeat the execution. The campaign’s main communication task is clear: establish an association between the name Split and the option to spread payments over time.

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The rollout follows EG BANK’s earlier Premium Certificate campaign, which placed the advertised interest rate at the centre of its outdoor message. Split shifts the focus from returns on savings to spreading purchase payments over time. The creative approach changes accordingly, giving a conversational slogan and a familiar face the task of making the product memorable.

What EG BANK’s Split Credit Card Offers

EG BANK describes Split as a credit card designed for installments, listing repayment periods of 12, 24, 36, and 60 months, subject to its terms and conditions. Customers can select or change their installment period through the bank’s call centre. These details give the campaign’s short headline a concrete product foundation.

The slogan compresses that proposition into conversational Egyptian Arabic. Its repeated “Feeha” gives the line rhythm, while “Qest” introduces the payment category before “Split” supplies the product name. EG BANK also uses the phrase in its own campaign communications, connecting the outdoor message to the bank’s wider promotion of the card.

For a passing audience, that structure offers a straightforward takeaway. Understanding the basic proposition requires little financial vocabulary, although assessing the product still requires information beyond the billboard.

Ahmed Elhaggar Keeps the Card in the Picture

The main execution places Elhaggar in the driver’s seat of a car, smiling and holding the Split card toward the camera, with a smiling woman beside him. The setting brings the product into an everyday scene, allowing the interaction between the characters to soften the formality of bank advertising.

Crucially, the card remains visible. Celebrity casting can draw attention away from the advertised product; here, Elhaggar’s gesture connects his presence directly to it. Viewers encounter the face, the physical card, and the Split name within the same composition.

The couple’s relaxed expressions suggest ease and confidence. That is an emotional association created by the advertisement, rather than evidence of a particular financial outcome. The scene leaves room for viewers to connect the installment proposition with their own planned purchases.

A Consistent Identity Across Cairo

The dark navy background and bold white Split wordmark provide continuity across the campaign’s uni-poles and roadside signs. Repeating the same artwork gives each placement a recognisable relationship to the next, making consistency a central feature of the execution.

Along routes carrying successive placements, that repetition creates further opportunities to register the name and slogan. Its potential value lies in familiarity: a brief first encounter can be reinforced by a later sighting. Actual recall, however, would require audience measurement.

From Recognition to Consideration

The creative gives priority to the product name, installment message, and characters, with a phone number providing a route to further information. This emphasis suggests an awareness-led execution, while questions about pricing, eligibility, and repayment remain for the next stage of consideration.

EG BANK’s strongest creative decision is the close fit between language and product. “Split” already evokes dividing something into parts; the slogan anchors that meaning in installments. The campaign gives audiences a concise association to remember and a clearly named product to investigate.

Check out Monitoring Out of Home (MOOH), a specialist media intelligence agency and analysis system active in Cairo & Dubai, to learn more about this campaign.


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